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The Truth in Painting: Iconoclasm and Identity in Early-Medieval Art

Charles Barber
Speculum
Vol. 72, No. 4 (Oct., 1997), pp. 1019-1036
DOI: 10.2307/2865956
Stable URL: http://www.jstor.org/stable/2865956
Page Count: 22
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The Truth in Painting: Iconoclasm and Identity in Early-Medieval Art
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