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THE CONFESSIONS OF TODD ANDREWS: DOUBLE-DIRECTED DISCOURSE IN "THE FLOATING OPERA"

CHRIS CONTI
Studies in the Novel
Vol. 36, No. 4 (winter 2004), pp. 533-551
Stable URL: http://www.jstor.org/stable/29533650
Page Count: 19
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THE CONFESSIONS OF TODD ANDREWS: DOUBLE-DIRECTED DISCOURSE IN "THE FLOATING OPERA"
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