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"THE LANGUAGE OF PICTURES": VISUAL REPRESENTATION AND SPECTATORSHIP IN PHILIP PULLMAN'S "HIS DARK MATERIALS"

AMANDA M. GREENWELL
Studies in the Novel
Vol. 42, No. 1/2, THE YOUNG ADULT NOVEL (spring & summer 2010), pp. 99-120
Stable URL: http://www.jstor.org/stable/29533971
Page Count: 22
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"THE LANGUAGE OF PICTURES": VISUAL REPRESENTATION AND SPECTATORSHIP IN PHILIP PULLMAN'S "HIS DARK MATERIALS"
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