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The Australian Western, or a Settler Colonial Cinema par excellence

Peter Limbrick
Cinema Journal
Vol. 46, No. 4 (Summer, 2007), pp. 68-95
Stable URL: http://www.jstor.org/stable/30137720
Page Count: 28
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The Australian Western, or a Settler Colonial Cinema par excellence
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Abstract

This essay considers the production history and reception of three of Ealing Studios' Australian films-The Overlanders, Eureka Stockade, and Bitter Springs-to better understand the films' imperial and colonial underpinnings and to position these "Australian westerns" as examples of a settler colonial mode of cinema.

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