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Orson Welles: The Semiotics of Focalization in "The Lady from Shanghai"

Karen Marguerite Radell
The Journal of Narrative Technique
Vol. 22, No. 2 (Spring, 1992), pp. 97-104
Stable URL: http://www.jstor.org/stable/30225354
Page Count: 8
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Orson Welles: The Semiotics of Focalization in "The Lady from Shanghai"
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