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Review Essay. A World without Whole Notes: The Intellectual Subtext of Spike Lee's Blues

Jim Merod
boundary 2
Vol. 18, No. 2 (Summer, 1991), pp. 238-251
Published by: Duke University Press
DOI: 10.2307/303288
Stable URL: http://www.jstor.org/stable/303288
Page Count: 14
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Review Essay. A World without Whole Notes: The Intellectual Subtext of Spike Lee's Blues
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