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Dialectics of Desire: War and the Resistive Voice in Gwendolyn Brooks's "Negro Hero" and "Gay Chaps at the Bar"
Ann Folwell Stanford
African American Review
Vol. 26, No. 2, Poetry and Theatre Issue (Summer, 1992), pp. 197-211
Published by: Indiana State University
Stable URL: http://www.jstor.org/stable/3041820
Page Count: 15