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Angry Arts: Silence, Speech, and Song in Gayl Jones's Corregidora

Amy S. Gottfried
African American Review
Vol. 28, No. 4 (Winter, 1994), pp. 559-570
Published by: Indiana State University
DOI: 10.2307/3042218
Stable URL: http://www.jstor.org/stable/3042218
Page Count: 12
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Angry Arts: Silence, Speech, and Song in Gayl Jones's Corregidora
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