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Jean Pucelle and Northern Gothic Art: New Evidence from Strasbourg Cathedral

Karen Gould
The Art Bulletin
Vol. 74, No. 1 (Mar., 1992), pp. 51-74
Published by: College Art Association
DOI: 10.2307/3045850
Stable URL: http://www.jstor.org/stable/3045850
Page Count: 24
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Jean Pucelle and Northern Gothic Art: New Evidence from Strasbourg Cathedral
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Abstract

This article concerns the aesthetic influence of Northern Gothic sculpture on Pucelle's art. It explores how he integrated particular figures and iconographic themes from the Strasbourg Cathedral sculpture into the illumination of two manuscripts, the Hours of Jeanne d'Evreux and the Miracles de Notre Dame. Second, it demonstrates that he designed the south narthex window at Strasbourg Cathedral.

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