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The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto

Joel Galand
Journal of Music Theory
Vol. 44, No. 2 (Autumn, 2000), pp. 381-450
Stable URL: http://www.jstor.org/stable/3090682
Page Count: 70
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The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto
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