You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
'Home is the sailor, home from sea': Robert Louis Stevenson and the End of Wandering
The Yearbook of English Studies
Vol. 34, Nineteenth-Century Travel Writing (2004), pp. 240-252
Published by: Modern Humanities Research Association
Stable URL: http://www.jstor.org/stable/3509497
Page Count: 13
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
This essay considers Stevenson's travel writings in relation to his Gothic imagination. In the early essays, "An Inland Voyage" and "Travels with a Donkey in the Cévennes," a process of authorial self-construction is at work that anticipates the modern self of his Gothic fiction. His United States travelogue, "The Amateur Emigrant," often dwells on the abject in his descriptions of himself and his fellow passengers. In "In the South Seas" he engages with a culture that still possesses an epistemology relegated in Western culture to the post-enlightenment fears and anxieties that found clearest and most dramatic expression in Gothic fiction.
The Yearbook of English Studies © 2004 Modern Humanities Research Association