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'An Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation

Simon P. Keefe
Music & Letters
Vol. 82, No. 4 (Nov., 2001), pp. 559-581
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/3526277
Page Count: 23
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'An Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation
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