You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
"Dies hohe Lied der Duldung"? The Ambiguities of Toleration in Lessing's "Die Juden and Nathan der Weise"
The Modern Language Review
Vol. 93, No. 1 (Jan., 1998), pp. 105-120
Published by: Modern Humanities Research Association
Stable URL: http://www.jstor.org/stable/3733627
Page Count: 16
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
Lessing's plays "Die Juden" and "Nathan der Weise" have usually been considered, especially by Jewish readers, impressive pleas for social and religious toleration. The parable of the three rings, in particular, has been taken as a compelling argument for showing equal respect for Judaism, Christianity, and Islam. However, both plays show nominal tolerance to Jews while emphasizing their difference; neither shows an informed interest in Jews or Judaism, but both emphasize anti-Christian polemic, and the conception of religion underlying the ring parable is really an agnostic humanism that sidesteps the problems of toleration.
The Modern Language Review © 1998 Modern Humanities Research Association