You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Two Paths to the Boom: Carpentier, Asturias, and the Performative Split
The Modern Language Review
Vol. 94, No. 4 (Oct., 1999), pp. 1009-1024
Published by: Modern Humanities Research Association
Stable URL: http://www.jstor.org/stable/3737234
Page Count: 16
You can always find the topics here!Topics: Novels, Latin American culture, Mayan culture, Novelists, Literary criticism, Latin American literature, Writers, Avant garde, United States history, French literature
Were these topics helpful?See something inaccurate? Let us know!
Select the topics that are inaccurate.
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
The Spanish-American Boom novel stems from the integration of two trends common to cultural production in peripheral societies: the mythologization of the past and the negotiation of power relationships with hegemonic or colonizing powers. The performative split between these two tendencies, identified by Homi K. Bhabha, corresponds most closely in the Spanish-American case to the narrative trajectories of the novels of Alejo Carpentier and Miguel Angel Asturias. The novels of the Boom create a fruitful fusion of the mythologization of national history and the hybridizing vision born of negotiation with the metropolis around 1960, as the two paths that facilitated this fusion decline.
The Modern Language Review © 1999 Modern Humanities Research Association