You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Samuel Beckett's Samuel Johnson
Stephen John Dilks
The Modern Language Review
Vol. 98, No. 2 (Apr., 2003), pp. 285-298
Published by: Modern Humanities Research Association
Stable URL: http://www.jstor.org/stable/3737811
Page Count: 14
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
Before 1937 Beckett was a mere footnote in Joyce studies. In that year he developed a selective portrait of Johnson that helped him begin to articulate a post-Joycean aesthetic. The 1937 Johnson Notebooks suggest that the 1945 incident celebrated by Paul Lawley and others as Beckett's creative 'turning point' was preceded by a less dramatic, but equally important, period of preparation. After 1937 Beckett began to fulfil his 1932 vow to 'get over J.J.' The version of Johnson in the 1937 Notebooks allows us to identify a significant, but under-appreciated, step in the development of a distinctly Beckettian aesthetic.
The Modern Language Review © 2003 Modern Humanities Research Association