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"The Soul Has Bandaged Moments": Reading the African American Gothic in Wright's "Big Boy Leaves Home," Morrison's "Beloved", and Gomez's "Gilda"

Cedric Gael Bryant
African American Review
Vol. 39, No. 4 (Winter, 2005), pp. 541-553
Stable URL: http://www.jstor.org/stable/40033692
Page Count: 13
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"The Soul Has Bandaged Moments": Reading the African American Gothic in Wright's "Big Boy Leaves Home," Morrison's "Beloved", and Gomez's "Gilda"
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