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"The Soul Has Bandaged Moments": Reading the African American Gothic in Wright's "Big Boy Leaves Home," Morrison's "Beloved", and Gomez's "Gilda"
Cedric Gael Bryant
African American Review
Vol. 39, No. 4 (Winter, 2005), pp. 541-553
Published by: African American Review (St. Louis University)
Stable URL: http://www.jstor.org/stable/40033692
Page Count: 13
You can always find the topics here!Topics: African Americans, Fear, Slavery, Visual fixation, Vampires, African American studies, African American literature, White people, African American culture, Slave narratives
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