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From Router to Front Row: Lubricious Transfer and the Aesthetics of Telematic Performance

Bob Giges and Edward C. Warburton
Leonardo
Vol. 43, No. 1 (2010), pp. 24-32
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/40540091
Page Count: 9
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Abstract

This article describes experiments in live telematic performance linking U.S. East and West Coast dancers via Internet2. Alternating between a first-person account of one particular stage performance and a theoretical exploration of the same, the authors come to terms with the audiences' newly constituted relationship as technological ruptures alter the immersive pull of live performance.

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