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La technologie de la French Touch : Les Paul ou Pierre Schaeffer ?

Olivier Julien
Musurgia
Vol. 9, No. 2, Musiques populaires modernes (2002), pp. 71-84
Published by: Editions ESKA
Stable URL: http://www.jstor.org/stable/40567118
Page Count: 14
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La technologie de la French Touch : Les Paul ou Pierre Schaeffer ?
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Abstract

Depuis quelques années, le ministère de la Culture et de la Communication fait beaucoup de bruit autour des musiques électroniques de danse françaises et des liens qu'elles entretiendraient avec la musique concrète. Cet article vise à démontrer la superficialité des liens en question, mais aussi à expliquer l'engouement des pouvoirs publics pour une scène qu'ils avaient, il n'y a pas si longtemps, mise à l'index. During the past few years, the French Ministry of Culture and Communication has been making much ado about French electronic dance music and its supposed connections with musique concrète. This paper purports to demonstrate the superficiality of the alleged connections and to explain why the authorities changed their mind about a musical scene that they used to blacklist not so long ago.

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