You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Komödie und Obszönität: Der sexuelle Witz bei Jelinek und Freud
The German Quarterly
Vol. 70, No. 1 (Winter, 1997), pp. 27-38
Stable URL: http://www.jstor.org/stable/407839
Page Count: 12
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
The essay provides an analysis of Elfriede Jelinek's play, Raststätte oder Sie machens alle: Eine Komödie (1994), which depicts graphic sex in a highway rest stop, abounds in obscene language, and has been dismissed by many of its initial critics as pornography. Instead of perpetuating this approach, however, the essay argues that the play's manifold comic elements raise the question as to whether pornography caǹ coexist with comedy. Viewing Raststätte through the lens of Freud's joke theory reveals that the relationship between pornography and comedy in Jelinek is analogous to the relationship for Freud between smut and obscene humor, and that Jelinek's thoroughgoing social critique nonetheless transcends the parameters of gender and education on which Freud's categories are based.
The German Quarterly © 1997 American Association of Teachers of German