You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
The Stochastic Synthesis of Iannis Xenakis
Leonardo Music Journal
Vol. 19, Our Crowd—Four Composers Pick Composers (2009), pp. 77-84
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/40926355
Page Count: 8
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
In the late 1960s, composer, architect and theoretician Iannis Xenakis (1922-2001) began his research on stochastic synthesis: an approach to microsound synthesis that uses probability distributions to manipulate individual digital samples. He continued with this research for most of the 1970s and from the late 1980s until the end of his career. This article traces the aesthetic origins of this non-standard synthesis technique and gives a historical presentation of its development, including a discussion of the works in which Xenakis used it and a full description of the dynamic stochastic synthesis algorithms. In addition, a new extension of these techniques is put forward: the stochastic concatenation of dynamic stochastic synthesis.
Leonardo Music Journal © 2009 The MIT Press