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Strategies for Managing Timbre and Interaction in Automatic Improvisation Systems
Leonardo Music Journal
Vol. 20, Improvisation (2010), pp. 33-39
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/40926371
Page Count: 7
You can always find the topics here!Topics: Musical modes, Musical performance, Musical improvisation, Gestures, Sound pitch, Processing stages, Statistical mode, Musical timbre, Loudness, Human performance technology
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Earlier interactive improvisation systems have mostly worked with note-level musical events such as pitch, loudness and duration. Timbre is an integral component of the musical language of many improvisers; some recent systems use timbral information in a variety of ways to enhance interactivity. This article describes the timbre-aware ARHS improvisation system, designed in collaboration with saxophonist John Butcher, in the context of recent improvisation systems that incorporate timbral information. Common practices in audio feature extraction, performance state characterization and management, response synthesis and control of improvising agents are summarized and compared.
Leonardo Music Journal © 2010 The MIT Press