You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
FILM GENRE AND ITS VICISSITUDES: THE CASE OF THE PSYCHOTHRILLER
Virginia Luzón Aguado
Vol. 24, No. 1 (Junio 2002), pp. 163-172
Published by: AEDEAN: Asociación española de estudios anglo-americanos
Stable URL: http://www.jstor.org/stable/41055051
Page Count: 10
You can always find the topics here!Topics: Movies, Thrillers, Horror fiction, Film criticism, Motion picture industry, Film noir, Film genres, Fear, Melodrama, Film music
Were these topics helpful?See somethings inaccurate? Let us know!
Select the topics that are inaccurate.
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
This paper is the result of an exploration into the contemporary psychothriller and its matrix genre, the thriller. It was inspired by the lack of critical attention devoted to this type of film, so popular with the audience yet apparently a thorn in the critics' side. The main aim of this paper is therefore to contribute a small piece of criticism to fill this noticeable gap in film genre theory. It begins with a brief overview of contemporary film genre theory, which provides the background for a vindication of the thriller as a genre and specifically of the psychothriller as a borderline sub-generic category borrowing features from both the thriller and the horror film.
Atlantis © 2002 AEDEAN: Asociación española de estudios anglo-americanos