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Ethnicity and Performance: Bilingualism in Spanglish Verse Culture
Amerikastudien / American Studies
Vol. 51, No. 1, Multilingualism and American Studies (2006), pp. 13-27
Published by: Universitätsverlag WINTER Gmbh
Stable URL: http://www.jstor.org/stable/41158195
Page Count: 15
You can always find the topics here!Topics: Poetry, Oral poetry, Slam poetry, Lyric poetry, Bilingualism, Anthologies, Black Mountain poets, Hispanics, Latin American literature, American literature
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This article is about contemporary Spanglish verse culture and one of its paradigmatic sites: the Nuyorican Poets Cafe. During the historical period that is covered here — 1975 to 1994— ethnic nationalism became less important at the Cafe, and transethnic performance poetry rose to its peak. Nuyorican poetry is mainly a poetry of the self, where poetic voice is a complex issue connected with performance, ethnicity, and vocal/lingual diversity. All in all, it can be said that there was a shift of emphasis from monovocalism to multivocalism, from bilingualism to monolingualism, and from bilingualism as an ethnic feature to bilingualism as a matter of performance and genuinely free choice.
Amerikastudien / American Studies © 2006 Universitätsverlag WINTER Gmbh