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Journal Article

Significance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge

Adel Heinrich
Bach
Vol. 15, No. 3 (JULY, 1984), pp. 24-32
Stable URL: http://www.jstor.org/stable/41640216
Page Count: 9

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Topics: Fugues, Counterpoint, Alto, Soprano, Musical meter, Musical motives, Western canon, Musical rhythm
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Significance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge
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