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Journal Article

"Rear Window" and "Blow-Up": Hitchcock's Straightforwardness vs. Antonioni's Ambiguity

Thomas Harris
Literature/Film Quarterly
Vol. 15, No. 1 (1987), pp. 60-63
Published by: Salisbury University
Stable URL: http://www.jstor.org/stable/43796293
Page Count: 4
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