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Caribbean Bodies, Migrations, and Spaces of Resistance
Vivian Martínez Tabares, Margaret Carson and Richard Schechner
Vol. 48, No. 2 (Summer, 2004), pp. 24-32
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/4488549
Page Count: 9
You can always find the topics here!Topics: Performance art, Theater, Stereotypes, Dance, Popular culture, Globalization, Performing artists, Racism, African Americans, Wall mirrors
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An analysis of three closely related solo performances by artists from the Caribbean. The works of Puerto Rican Javier Cardona, Dominican. Waddys Jáques, and Cuban Marianela Boán are hybrid expressions that make no distinction between theatre and dance. These artists ignore linear or continuous time, actively consider the audience, and propose a subversive and intertextual linguistic game that appropriates popular language and culture, merging these into a new performative norm.
TDR (1988-) © 2004 The MIT Press