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"The Subversive Edge": Paris Is Burning, Social Critique, and the Limits of Subjective Agency
Phillip Brian Harper
Vol. 24, No. 2/3, Critical Crossings (Summer - Autumn, 1994), pp. 90-103
Published by: The Johns Hopkins University Press
Stable URL: http://www.jstor.org/stable/465166
Page Count: 14
You can always find the topics here!Topics: Movies, Gender performativity, Gender identity, Motion picture industry, Documentary films, Formal dances, Subjectivity, Normativity, Legal entities, Performative utterances
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Diacritics © 1994 The Johns Hopkins University Press