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Form, Function, and Creative Tension in Cane: Jean Toomer and the Need for the Avant-Garde
Frederik L. Rusch
Vol. 17, No. 4, Black Modernism and Post-Modernism (Winter, 1991 - Winter, 1992), pp. 15-28
Published by: Oxford University Press on behalf of Society for the Study of the Multi-Ethnic Literature of the United States (MELUS)
Stable URL: http://www.jstor.org/stable/467265
Page Count: 14