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Periodizing Toni Morrison's Work from The Bluest Eye to Jazz: The Importance of Tar Baby

Malin Walther Pereira
MELUS
Vol. 22, No. 3, Varieties of Ethnic Criticism (Autumn, 1997), pp. 71-82
DOI: 10.2307/467655
Stable URL: http://www.jstor.org/stable/467655
Page Count: 12
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Periodizing Toni Morrison's Work from The Bluest Eye to Jazz: The Importance of Tar Baby
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