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Dancing out of Form, Dancing into Self: Genre and Metaphor in Marshall, Shange, and Walker

Barbara Frey Waxman
MELUS
Vol. 19, No. 3, Intertextualities (Autumn, 1994), pp. 91-106
DOI: 10.2307/467874
Stable URL: http://www.jstor.org/stable/467874
Page Count: 16
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Dancing out of Form, Dancing into Self: Genre and Metaphor in Marshall, Shange, and Walker
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