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Fundamentals of Musical Criticism in the Writings of Edmund Gurney and His Contemporaries
William J. Gatens
Music & Letters
Vol. 63, No. 1/2 (Jan. - Apr., 1982), pp. 17-30
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/736038
Page Count: 14
You can always find the topics here!Topics: Musical aesthetics, Musical forms, Music criticism, Music, Musical beauty, Music psychology, Musical expression, Musical perception, Emotion theories, Music analysis
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