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Tonal Ambiguities as a Constructive Force in the Language of Stravinsky
The Musical Quarterly
Vol. 68, No. 4 (Oct., 1982), pp. 516-526
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/742155
Page Count: 11
You can always find the topics here!Topics: Musical chords, Musical motives, Neighbor tones, Cornets, Sound pitch, Ambiguity, Cadences, Trombones, Violins, Circle of fifths
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