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The Gendered Construction of the Musical Self: The Music of Pauline Oliveros
Timothy D. Taylor
The Musical Quarterly
Vol. 77, No. 3 (Autumn, 1993), pp. 385-396
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/742386
Page Count: 12
You can always find the topics here!Topics: Musical aesthetics, Feminism, Music composition, Composers, Musical modes, Feminist cultural studies, Ritual music, Womens rights, Femininity, Cultural values
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