If you need an accessible version of this item please contact JSTOR User Support

Postcolonialism and Androgyny: The Performance Art of Grace Jones

Miriam Kershaw
Art Journal
Vol. 56, No. 4, Performance Art: (Some) Theory and (Selected) Practice at the End of This Century (Winter, 1997), pp. 19-25
Published by: College Art Association
DOI: 10.2307/777716
Stable URL: http://www.jstor.org/stable/777716
Page Count: 7
  • Download PDF
  • Cite this Item

You are not currently logged in.

Access your personal account or get JSTOR access through your library or other institution:

login

Log in to your personal account or through your institution.

If you need an accessible version of this item please contact JSTOR User Support
Postcolonialism and Androgyny: The Performance Art of Grace Jones
Preview not available

Page Thumbnails

  • Thumbnail: Page 
19
    19
  • Thumbnail: Page 
20
    20
  • Thumbnail: Page 
21
    21
  • Thumbnail: Page 
[22]
    [22]
  • Thumbnail: Page 
23
    23
  • Thumbnail: Page 
24
    24
  • Thumbnail: Page 
25
    25