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The Orthopsychic Subject: Film Theory and the Reception of Lacan

Joan Copjec
October
Vol. 49 (Summer, 1989), pp. 53-71
Published by: The MIT Press
DOI: 10.2307/778733
Stable URL: http://www.jstor.org/stable/778733
Page Count: 19
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The Orthopsychic Subject: Film Theory and the Reception of Lacan
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