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Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan

Riley Kelly Lee
Asian Music
Vol. 19, No. 2, East and Southeast Asia (Spring - Summer, 1988), pp. 71-81
DOI: 10.2307/833867
Stable URL: http://www.jstor.org/stable/833867
Page Count: 11
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Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan
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