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Brahms's First Symphony: Thematic Coherence and Its Secret Origin

Michael Musgrave
Music Analysis
Vol. 2, No. 2 (Jul., 1983), pp. 117-133
Published by: Wiley
DOI: 10.2307/854245
Stable URL: http://www.jstor.org/stable/854245
Page Count: 17
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Brahms's First Symphony: Thematic Coherence and Its Secret Origin
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