Description: Music Analysis is the international forum for the presentation
of new writing focused on musical works and repertoires. Through articles of
this kind and through its lively Critical Forum, it also aims to
take forward debates concerning the relationship of technical commentary on
music with music theory, critical theory, music history and the cognitive sciences.
Founded in 1982, Music Analysis publishes major orientation articles
by respected scholars such as Allen Forte, Jean-Jacques Nattiez, Arnold Whittall,
Alan Street, Kevin Korsyn and Jonathan Dunsby. The journal has also featured
translations of important articles by Adorno, Molino, Ratz, Ruwet and Schenker.
Music Analysis is eclectic in its coverage of music from medieval
to post-modern times, and has regular articles on non-western music. Its lively
tone and focus on specific works makes it of interest to the general reader
as well as the specialist.
JSTOR provides a digital archive of the print version of Music Analysis.
The electronic version of Music Analysis is available at http://www.interscience.wiley.com.
Authorized users may be able to access the full text articles at this site.
The "moving wall" represents the time period between the last issue
available in JSTOR and the most recently published issue of a journal.
Moving walls are generally represented in years. In rare instances, a
publisher has elected to have a "zero" moving wall, so their current
issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year
moving wall, articles from the year 2002 are available.
Terms Related to the Moving Wall
Fixed walls: Journals with no new volumes being added to the archive.
Absorbed: Journals that are combined with another title.
Complete: Journals that are no longer published or that have been
combined with another title.