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Artistic Co-Operation in Late Sixteenth-Century Rome: The Sistine Chapel in S. Maria Maggiore and the Scala Santa

Rhoda Eitel-Porter
The Burlington Magazine
Vol. 139, No. 1132 (Jul., 1997), pp. 452-462
Stable URL: http://www.jstor.org/stable/887503
Page Count: 11
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Artistic Co-Operation in Late Sixteenth-Century Rome: The Sistine Chapel in S. Maria Maggiore and the Scala Santa
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