The Musical Times

Vol. 147, No. 1895, Summer, 2006

Stable URL: http://www.jstor.org/stable/i25434375

Table of Contents

Export Selected Citations
  1. Stable URL: http://www.jstor.org/stable/25434376
  2. Letters (pp. 2-4)
    DOI: 10.2307/25434377
    Stable URL: http://www.jstor.org/stable/25434377
  3. In Memoriam (p. 4)
    Stable URL: http://www.jstor.org/stable/25434378
  4. Arnold Whittall
    DOI: 10.2307/25434379
    Stable URL: http://www.jstor.org/stable/25434379
  5. Michael Fuller
    DOI: 10.2307/25434380
    Stable URL: http://www.jstor.org/stable/25434380
  6. Chris Walton
    DOI: 10.2307/25434381
    Stable URL: http://www.jstor.org/stable/25434381
  7. Rodney Stenning Edgecombe
    DOI: 10.2307/25434382
    Stable URL: http://www.jstor.org/stable/25434382
  8. Barry Cooper
    DOI: 10.2307/25434383
    Stable URL: http://www.jstor.org/stable/25434383
  9. Matthias Range
    DOI: 10.2307/25434384
    Stable URL: http://www.jstor.org/stable/25434384
  10. Michael Kassler
    DOI: 10.2307/25434385
    Stable URL: http://www.jstor.org/stable/25434385
  11. Beverly Jerold
    DOI: 10.2307/25434386
    Stable URL: http://www.jstor.org/stable/25434386
  12. Review-Articles
    • Making History (pp. 85-90)
      The Cambridge History of Seventeenth-Century Music by Tim Carter, John Butt; Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the St. Matthew Passion by Celia Applegate; Handel: Water Music & Music for the Royal Fireworks by Christopher Hogwood
      Review by: Peter Williams
      DOI: 10.2307/25434387
      Stable URL: http://www.jstor.org/stable/25434387
    • The Duke's Children (pp. 91-102)
      Italian Music during the Fascist Period by Roberto Illiano
      Review by: Franco Sciannameo
      DOI: 10.2307/25434388
      Stable URL: http://www.jstor.org/stable/25434388
  13. Book Reviews
    • Post Factum (pp. 103-107)
      The Collected Letters of Peter Warlock (Philip Heseltine) by Barry Smith, Peter Warlock, Philip Heseltine
      Review by: David Wright
      DOI: 10.2307/25434389
      Stable URL: http://www.jstor.org/stable/25434389
    • Stage Business (pp. 107-109)
      Echoes of Women's Voices: Music, Art and Female Patronage in Early Modern Florence by Kelley Harness; Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice by Beth L. Glixon, Jonathan E. Glixon
      Review by: Patricia Howard
      DOI: 10.2307/25434390
      Stable URL: http://www.jstor.org/stable/25434390
    • Reading the Will (pp. 110-113)
      The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan und Isolde by Eric Chafe; A Companion to Wagner's Parsifal by William Kinderman, Katherine R. Syer
      Review by: Arnold Whittall
      DOI: 10.2307/25434391
      Stable URL: http://www.jstor.org/stable/25434391
    • A Composer in Africa: Essays on the Life and Work of Stefans Grové by Stephanus Muller, Chris Walton, Stefans Grové
      Review by: Arnold Whittall
      DOI: 10.2307/25434392
      Stable URL: http://www.jstor.org/stable/25434392
    • Bloodlines (pp. 115-117)
      Die Familie Wagner by Brigitte Hamann
      Review by: David Cormack
      DOI: 10.2307/25434393
      Stable URL: http://www.jstor.org/stable/25434393
    • The Faith Factor (pp. 117-118)
      Benjamin Britten: The Spiritual Dimension by Graham Elliott
      Review by: Michael Fuller
      DOI: 10.2307/25434394
      Stable URL: http://www.jstor.org/stable/25434394
  14. Books Received (pp. 118-120)
    Stable URL: http://www.jstor.org/stable/25434395
  15. Stable URL: http://www.jstor.org/stable/25434396

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