• Acknowledgments
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    • Music, Sound, and the Laboratory from 1750 to 1980
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    • Thomas Young’s Musical Optics: Translating Sound into Light
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    • The Electrical Imagination: Sound Analogies, Equivalent Circuits, and the Rise of Electroacoustics, 1863–1939
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    • The Aesthetics of the Signal: Noise Research in Long-Wave Radio Communications
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    • Listening to the Cold War: The Nuclear Test Ban Negotiations, Seismology, and Psychoacoustics, 1958–1963
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    • Mineral Sound or Missing Fundamental: Cultural History as Signal Analysis
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    • Changeable Ears: Ernst Mach’s and Max Planck’s Studies of Accommodation in Hearing
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    • The Audiovisual Field in Bruce Nauman’s Videos
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    • Camera Silenta: Time Experiments, Media Networks, and the Experience of Organlessness
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    • Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie
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    • Craftsmen-Turned-Scientists? The Circulation of Explicit and Working Knowledge in Musical-Instrument Making, 1880–1960
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    • Listening to the Piano Pedal: Acoustics and Pedagogy in Late Nineteenth-Century Contexts
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    • “A Towering Virtue of Necessity”: Interdisciplinarity and the Rise of Computer Music at Vietnam-Era Stanford
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    • Toward a New Organology: Instruments of Music and Science
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    • Notes on Contributors
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    • Index
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