Front Matter
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Preface
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Table of Contents
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List of Figures
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List of Tables
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Introduction:: The Old Queer Musicology
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“The more or less remote Past”:: Imagining Castrati and Overhearing the Eighteenth Century
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“A gallery of dramatis personae with whom I often feel very intimate”:: Musicological Authority and Curious Intimacies in Music and its Lovers and “A Wicked Voice”
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“An autobiographical interest for which there is no real warranty”:: Gossip, Evidence, and Speculation in Newmarch’s Tchaikovsky Scholarship
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“Her own song to sing”:: Friendship and Romantic Ambiguity in Mary Wakefield and the Sonnets
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“The ultimate voices in a homosexual message by symphonic music”:: The Intersexes and Long-Haired Iopas as Hidden Musicological Sexology
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“Once: But Not Twice”?: Repertory as the Culmination of Nostalgic Wanderings
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Conclusions:: Are Musicologists Human?
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Appendix 1:: Vernon Lee, “English Questionnaire,” Music and its Lovers (1933)
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Appendix 2:: Edward Prime-Stevenson’s Annotations and “Literary Agent’s Press-Circular,” Long-Haired Iopas, Copy #77;
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Appendix 3:: Dedicatees in Edward Prime-Stevenson, Long-Haired Iopas (1927)
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Notes
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Index
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