Front Matter
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Table of Contents
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List of Figures
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Acknowledgments
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Introduction:: A New Cinema for a New Century
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“¿How Many Deaths?”:: Official Silence, Subversive Memory, and Death’s Performativity in Abner Benaim’s documentary film Invasión (2014)
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Illuminating from the Darkness:: Transitional Justice, Testimonies and Archive in Salvadoran Postwar Documentary (2011–2018)
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Memories and Critical History:: Documenting the Past in Nicaragua and El Salvador
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Palabras mágicas and Heredera del viento:: Two Diagnoses of the Sandinista Revolution’s Decay
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Borders, Body, and Violence:: The Representation of the Central American Migrant in Contemporary Cinema
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Migrant Credence in Marcela Zamora’s María en tierra de nadie
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Longing for Missing Memories:: Journeys of “Return” and Postmemory in Children of the Diaspora, by Jennifer A. Cárcamo (2013)
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Panamanian Cinema in the Twenty-First Century:: Panama Canal Stories
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Costa Rican Exceptionalism:: Nostalgia, Costumbrismo, and Extreme Patriotism in Maikol Yordan de viaje perdido
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The Games We Play:: Forging and Contesting National Identities in Central American Sports Films
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Toward a Central American Counter Cinema:: The Films of Tatiana Huezo and Julio Hernández Cordón
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Tangible Afro-Indigenous Heritage:: Land and Sea in Garifuna in Peril
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¿No que muy machito pues?: Alternate Masculinities in Twenty-First-Century Guatemalan Cinema
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Film and Gender in Central America:: Five Voices
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Central American Filmography:: 2000–2021
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List of Contributors
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Index
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Back Matter
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