Front Matter
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Table of Contents
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List of figures
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List of contributors
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ACKNOWLEDGEMENTS
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INTRODUCTION
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PREFERISCO L’INFERNO:: EARLY ITALIAN HORROR CINEMA
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DOMESTIC FILMS MADE FOR EXPORT:: MODES OF PRODUCTION OF THE 1960s ITALIAN HORROR FILM
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THE 1980s ITALIAN HORROR CINEMA OF IMITATION:: THE GOOD, THE UGLY AND THE SEQUEL
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KNOWING THE UNKNOWN BEYOND:: ‘ITALIANATE’ AND ‘ITALIAN’ HORROR CINEMA IN THE TWENTY-FIRST CENTURY
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BAVAESQUE:: THE MAKING OF MARIO BAVA AS ITALIAN HORROR AUTEUR
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THE ARGENTO SYNDROME:: AESTHETICS OF HORROR
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SCRAP METAL, STAINS, CLOGGED DRAINS:: ARGENTO’S REFUSE AND ITS REFUSALS
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THE GIALLO/SLASHER LANDSCAPE:: ECOLOGIA DEL DELITTO, FRIDAY THE 13TH AND SUBTRACTIVE SPECTATORSHIP
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KINGS OF TERROR, GENIUSES OF CRIME:: GIALLO CINEMA AND FUMETTI NERI
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POLITICAL MEMORY IN THE ITALIAN HINTERLAND:: LOCATING THE ‘RURAL GIALLO’
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THE HORROR OF PROGRESSIVE ROCK:: GOBLIN AND HORROR SOUNDTRACKS
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‘THE ONLY MONSTERS HERE ARE THE FILMMAKERS’:: ANIMAL CRUELTY AND DEATH IN ITALIAN CANNIBAL FILMS
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ITALIAN HORROR CINEMA AND ITALIAN FILM JOURNALS OF THE 1970s
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INDEX
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