Front Matter
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Table of Contents
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Foreword
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Editors’ Preface
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Cole Porter at Yale
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When the Little Bluebird Starts to Sing:: Porter’s Musical Formation
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Cole Porter, European
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Landed:: Cole Porter’s Ballet
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Lists of Louche Living:: Music in Cole Porter’s Social World
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Which Comes First, the Music or the Lyrics?: “You’re the Top”
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“I Hate Parading My Serenading”:: The Historical Record of Porter as a Performer
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From “Young Bears” to “Three-Letter Words”:: “Anything Goes,” 1934–1962
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Keeping Faith with John Q. Public:: Cole Porter, Billy Rose, and Seven Lively Arts
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“The Beat Beat Beat of the Tom-Tom”:: Cole Porter and the Exotic
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Licentious Harmony and Counterpoint in Porter’s “Love for Sale”
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About Cole Porter’s Songs
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You Never Know:: Anatomy of a Flop
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A Consideration of Drama, Lyrics, and Musical Structure in a Porter Film:: Broadway Melody of 1940
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Kiss Me, Kate
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Cole Porter’s Papers
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Secondary Materials and the Study of Cole Porter
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Selected Bibliography
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About the Contributors
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Index
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Back Matter
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