Front Matter
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Table of Contents
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FOREWORD:: Outside the Frame
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INTRODUCTION:: An American Outsider
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[I Introduction]
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A Single Man and the American Maurice
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Labor of Love:: Making Chris & Don
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Working through Grief in the Drafts of A Single Man
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Writing the Unspeakable in A Single Man and Mrs. Dalloway
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A Whole without Transcendence:: Isherwood, Woolf, and the Aesthetics of Connection
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Ford Does Isherwood
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A Real Diamond:: The Multicultural World of A Single Man
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[II Introduction]
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Isherwood and the Psycho-geography of Home
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Isherwood and Huxley:: The Novel as Mystic Fable
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Down Where on a Visit?: Isherwood’s Mythology of Self
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A Phone Call by the River
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“Give me devotion . . . even against my will”:: Christopher Isherwood and India
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Spiritual Searching in Isherwood’s Artistic Production
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[III Introduction]
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Christopher Isherwood and Edward Upward
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Huxley and Isherwood:: The California Years
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The Celebrity Effect:: Isherwood, Hollywood, and the Performance of Self
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A Writer at Work:: The Isherwood Archive
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Pulp Isherwood:: Cheap Paperbacks and Queer Cold War Readers
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Not Satisfied with the Ending:: Connecting The World In The Evening to Maurice
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ACKNOWLEDGMENTS
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CONTRIBUTORS
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INDEX
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