Front Matter
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Table of Contents
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Preface: “SYLVIA PLATH WITH A CAMERA”
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Introduction: BETWEEN INTENTION AND EFFECT
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Documentary Photography and the Positivist Social Gallery
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Portraits, Pastiche, and Magazine Work
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The Body in the 1960s
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Madness, Disability, and the “Untitled” Series
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The Social Panorama in Context
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Revelations: DARKNESS AND ILLUMINATION
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Acknowledgments
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Notes
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Index
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Back Matter
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