Front Matter
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Table of Contents
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Editorial Note
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The Founding and the Founder:: Medievalism and the Legacy of Leslie J. Workman
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Medievalism:: Its Linguistic History in Nineteenth-Century Britain
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Medievalism and Medieval Reception:: A Terminological Question
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Medievalisms and Why They Matter
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Medievalism, Authority, and the Academy
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The Tropes of Medievalism
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Medievalism and the Middle Ages
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Medievalism from Here
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A Steam-Whistle Modernist?:: Representations of King Alfred in Dickens’s A Child’s History of England and The Battle of Life
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Writing Medieval Women (and Men):: Sigrid Undset’s Kristin Lavransdatter
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J. K. Rowling’s Medieval Bestiary
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Seamus Heaney’s Audio Beowulf:: An Analysis of the Omissions
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The King’s Phantom:: Staging Majesty in Bale’s Kynge Johan
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Rodelinda Goes Opera:: The Lombard Queen’s Journey from Medieval Backstage to Händel’s “dramma per musica”
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The Ring of the Nibelung and the Nibelungenlied:: Wagner’s Ambiguous Relationship to a Source
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Notes on Contributors
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Back Matter
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