Dance Research: The Journal of the Society for Dance Research is essential reading for those involved in the study and practice of dance. Dance Research is edited and published in Britain with the assistance of a distinguished group of editorial consultants based in Europe and the USA. The journal provides an international forum for the presentation and discussion of contemporary dance research and contains a section of comprehensive book and journal reviews.
Edinburgh University Press is the premier scholarly publisher in Scotland of academic books and journals and one of the leading university presses in the UK. Founded over fifty years ago, Edinburgh University Press became a wholly owned subsidiary of the University of Edinburgh in 1992. Books and journals published by the Press carry the imprimatur of one of Britain's oldest and most distinguished centres of learning and enjoy the highest academic standards through the scholarly appraisal of the Press Committee. In 2004, EUP was awarded charitable status. EUP has a significant journal and book publishing programme, with 120 new books and more than 30 journals published each year. More information is available at www.euppublishing.com.
This item is part of a JSTOR Collection.
For terms and use, please refer to our Terms and Conditions
Dance Research: The Journal of the Society for Dance Research
© 2002 Edinburgh University Press
Request Permissions