Feminist Review is a peer reviewed, interdisciplinary journal setting new agendas for feminism. Feminist Review invites critical reflection on the relationship between materiality and representation, theory and practice, subjectivity and communities, contemporary and historical formations. The Feminist Review Collective is committed to exploring gender in its multiple forms and interrelationships. Feminist Review resists the increasing instrumentalisation of scholarship within British and international higher education and thus supports the generation of creative and innovative approaches to knowledge production. As well as academic articles we publish experimental pieces, visual and textual media and political interventions, including, for example, interviews, short stories, poems and photographic essays. When Feminist Review first appeared in 1979 it described itself as a socialist and feminist journal, ‘a vehicle to unite research and theory with political practice, and contribute to the development of both’. Challenges of race, class and sexuality have been central to the development of the journal. Forty years later, FR remains committed to these core values.

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Note: This article is a review of another work, such as a book, film, musical composition, etc. The original work is not included in the purchase of this review.